Most Influential Books

Following up on a meme that was started by Tyler Cowen, “The Ten Books that influenced me the most.”

The list is heavy on the fiction and light on the non-fiction.  Partly that’s because the most influential books were the books I read when I was younger, but also that’s partly because narrative has always played a strong role in my life.  I’ve read a number of books on philosophy, politics, and economics and while some have been enormously educational (Nozick, Hayek, Mises, Aristotle, Plat, etc…) they haven’t had as visceral an impact on my day-to-day existence.  Books that changed the way I thought about my life and my work, or profoundly affected the way I live my life… those are the most influential books I’ve ever read. In no particular order:

The Lion in Winter, by James Goldman

Henry II: The day those stout hearts band together is the day that pigs get wings.
Eleanor: There’ll be pork in the treetops come morning.

I love this play. The language crackles, the characters are enormous and the drama fantastic. Like most people, I saw the movie first and for me, Peter O’Toole and Katherine Hepburn will always and forever be Henry and Eleanor.  This was the first play in which I realized that every single word was precious. (As much as we lionize Shakespeare, most of the Bard’s work improves with judicious editing.) Every motion, every breath the actors take is important on the stage. Every glance and every touch means something.

Atlas Shrugged, by Ayn Rand

Until and unless you discover that money is the root of all good, you ask for your own destruction. When money ceases to become the means by which men deal with one another, then men become the tools of other men. Blood, whips and guns–or dollars. Take your choice–there is no other.

Atlas Shrugged is my intellectual lodestone. Or maybe that should be dead-weight?  Fountainhead? Whatever, it’s a big giant brick. It’s also a masterpiece in every sense of the word, compelling, difficult, complex, agonizing, confounding, enlightening and fabulously gigantic.

Impro: Improvisation and the Theatre by Keith Johnstone

In the park we’ll notice the ducks squablling but not how carefully they’ll keep their distances when they are not.

The book is a philosophical and pedagogical mess (and Spolin’s books are probably better introductions to theatrical improvisation) but Johnstone’s section on status is priceless. This book completely changed the way I approached the craft of acting and had an enormous effect on my directorial style as well. If you’re at all interested in theater, read this book.

Lolita, by Vladimir Nabokov

Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.

An odd choice for “influential,” I know.  I read it in high school, over a rainy weekend on the Florida Gulf coast. My best friend read The Fountainhead during the same weekend. We kept telling each other, “You’ve got to read this book.” Influential because of the extraordinary language and breathtaking writing. Influential because it’s a story of obsession and love and a desperate confusion of the two. I was in the middle of a desperate sort of obsessive and un-requited love and Lolita rocked me. It would be a few years before I was finally able to finally unravel my own obsessions and set them aside, but Lolita was the book that warned me to start.

Adventures of Huckleberry Finn, By Mark Twain

Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.

This is the first “real” book I ever read by myself.  When I was eight, my mother and I started by reading chapters aloud to each other. After the first few chapters, the pace was too slow and I asked if I could go read and finish it by myself. Later, as a freshman in high school, this was the first book in which I recognized theme and subtext.

Silver Age of Marvel Comics, by Stan Lee, Jack Kirby and Steve Ditko et. al.

It’s clobberin’ time!

My stepfather collected comics when he was a kid.  As a result, I grew up with an enormous chest full of early Marvel comicbooks.  Fantastic four #1, Daredevil #1, Spider Man #1, Iron-Man #1, Doc Strange #1, Nick Fury and the howling Commandos, Thor, Hulk, the Avengers, the X-men… I had all them all. And I read and re-read them and then read them all again. It’s odd to describe them as influential, but they certainly were. I identified with the alienation and angst that drove so many of Marvel’s heroes and saw in their cartoonish and silly struggles a metaphor for my own life.

Economics in One Lesson, by Henry Hazlitt

The art of economics consists in looking not merely at the immediate but at the longer effects of any act or policy; it consists in tracing the consequences of that policy not merely for one group but for all groups.

Essentially a retelling of Bastiat’s essay on the Seen and the Unseen, Hazlitt’s little book taught me to think about economics and public policy in a completely new way. The lesson is simple and direct and almost entirely ignored in modern policy. The book is available as a PDF from the Foundation for Economic Education.

A Brief History of Time, by Stephen Hawking

… a particle of spin 1 is like an arrow: it looks different from different directions. Only if one turns it round a complete revolution (360 degrees) does the particle look the same. A particle of spin 2 is like a double-headed arrow: it look the same if one turns it round half a revolution (180 degrees)… there are particles that do not look the same if one turns them through just one revolution: you have to turn them through two complete revolutions! Such particles are said to have spin ½

It took me two times through before I thought I understood all of it. It took me another two times through before I realized I didn’t. It’s not the best book on advanced physics or the origins of the universe, but it’s the first one I read. Hawking changed the way I thought about physics and science. I do remember that I once developed a partial solution to the unified field theory in the shower. I can’t remember all of it, but I do remember that it involved rethinking relative acceleration and position and treating light as a fixed reference…. I once spent a day rambling about it to a physics grad student. He was exceedingly polite.

A Room With a View by E. M. Forester

I only wish poets would say this, too: love is of the body; not the body, but of the body. Ah! the misery that would be saved if we confessed that! Ah! for a little directness to liberate the soul! Your soul, dear Lucy! I hate the word now, because of all the cant with which superstition has wrapped it round. But we have souls. I cannot say how they came nor whither they go, but we have them, and I see you ruining yours. I cannot bear it. It is again the darkness creeping in; it is hell.

I’ve been in love with this story ever since I first saw the Merchant-Ivory film adaptation. The book has a quiet grace that fills my heart; it’s full of tender moments and surprising passion. This book fills me with hope and promise. When I close it–each time and every time–there’s a smile on face and sense of wonder and hope in my heart, “… by the side of the everlasting Why there is a Yes–a transitory yes if you will, but a Yes.”

Early Autumn by Robert B. Parker

…he doesn’t really know how to be a good man, so he goes for the simple rules that someone else told him. It’s easier than thinking, and safer. The other way, you have to decide for yourself.

Funny. Charming. Disarmingly spare. Parker’s Spenser was my first literary role-model. I recognized very early (I began reading this series when I was 13 or 14) that the core of Spenser’s character was not violence or mystery but integrity and honesty. Parker’s hero has been derided as a cardboard cutout, flat and dull–and he often is. But it’s rare to find a character in modern fiction driven by an authentic commitment to principles.

Spenser isn’t a simple fantasy (although he is often fantastical) of unwavering commitment to an abstract code of honor, he’s a man committed to making principles work in a messy, complicated, often difficult world. The novels are at their best when they explore the moments that Spenser’s principles compromise him and make him vulnerable. Early Autumn is the most thorough exploration of those principles.


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